Reviewed by: Pamela Karpelenia
CONTRIBUTOR
Moral Rating: | Average |
Moviemaking Quality: |
|
Primary Audience: | • Adults • Young Adults • Teens |
Genre: | Musical Biography Drama |
Length: | 1 hr. 45 min. |
Year of Release: | 2017 |
USA Release: |
December 20, 2017 (wide—3,006 theaters) DVD: April 10, 2018 |
Music in the Bible
Songs in the Bible
Being innovative
Are there things that the real P.T. Barnum did that bent rules or laws, or did things that were deceptive, wrong or immoral?
How can I know what is RIGHT and WRONG? Answer
How can I discern whether a particular activity is WRONG? Answer
What is SIN AND WICKEDNESS? Answer
What is RIGHTEOUSNESS? Answer
Featuring |
Hugh Jackman … P.T. Barnum Zac Efron … Phillip Carlyle Michelle Williams … Charity Barnum Zendaya … Anne Wheeler—an acrobat, trapeze artist, and W.D.’s sister Rebecca Ferguson … Jenny Lind—a famous Swedish singer Paul Sparks … James Gordon Bennett—the founder, editor and publisher of the New York Herald Keala Settle … The Bearded Woman Gayle Rankin … Queen Victoria Natasha Liu Bordizzo … Deng Yan Yahya Abdul-Mateen II … WD Wheeler—an acrobat and Anne’s brother Austyn Johnson … Caroline Barnum—daughter of P.T. Barnum Sam Humphrey … Charles Stratton—a dwarf performer also known by his stage name of General Tom Thumb Jacqueline Honulik … Baroque Woman See all » |
Director |
Michael Gracey |
Producer |
Peter Chernin Tonia Davis See all » |
Distributor |
20th Century Studios, a subsidiary of The Walt Disney Studios, a division of The Walt Disney Company |
“The Impossible Comes True!”
“The Greatest Showman” stars Hugh Jackman as P.T. Barnum, the mastermind behind The Greatest Show on Earth. The film opens in true musical style, then flashes back to a young Barnum. We see an impoverished youth, son of a tailor with upper class clients. It’s at the home of a client where he meets a beautiful young girl. He makes her laugh and is forbidden from seeing her again by her father. But soon they are doing just that. We learn her name is Charity, and they start a pen pal relationship that blossoms. All the while, Barnum yearns for more than the life of a poor man’s son.
The plot is brilliantly consistent and easy to follow. Plus the music is pleasant, catchy and memorable. Hugh Jackman, who has a strong Broadway background, brings that enthusiasm and versatility to the screen—acting, singing and dancing—and it is wonderful. Michelle Williams plays Charity Barnum and makes a satisfactory contribution to the film aside Hugh. Zac Efron plays Phillip Carlyle, and brings his “High School Musical” background to the film. The remainder of the cast truly makes the film whole—each bringing a unique piece to the cast puzzle and creating a magnificent motion picture.
With all the amusing attractions (pun intended) of the film, there are a few details that Christian viewers ought to be aware of. Barnum’s characters does dishonest things to achieve his dreams, he was known as a purveyor of hoaxes and a deceiver and an exploiter of people with unique oddities—some of which was portrayed honestly in the film. There is a scene where Barnum is tempted by another woman. Women are showed with revealing clothes; cleavage is shown and male is shirtless. There is also violence shown—from slapping a child—to an all out fistfight among men. Hatred of people who look different was a consistent tagline of the film—from a woman with facial hair to people with different skin color. This behavior is not condoned. Drinking is shown with enthusiasm as an indulgence and a coping mechanism.
Now for the biblical aspects, the film doesn’t address God directly, but there are some truths that can be derived. The hatred of people who look different is easily remedied by a Christian worldview; there is but one race—the human race—which was created by the One True God.
P.T. Barnum’s life was not an easy one, but he persevered to his great worldly success. As Christians, we too are not guaranteed an easy life, in fact, the Bible says explicitly that we will suffer for our faith.
Make sure that none of you suffers as a murderer, or thief, or evildoer, or a troublesome meddler; but if anyone suffers as a Christian, he is not to be ashamed, but is to glorify God in this name. For it is time for judgment to begin with the household of God; and if it begins with us first, what will be the outcome for those who do not obey the gospel of God? —1 Peter 4:15-17
Our suffering will not bring us worldly success or fortune, but everlasting life through Christ Jesus! Triumph over adversity and the value of helping make other people’s lives happier and more bearable, when we can, are lessons that can be taken from this film.
As for my recommendation, with the knowledge and discernment of what to expect, I would recommend it. Overall, the acting and cinematography is light-hearted and fun. We left the theater wanting to listen to the soundtrack and ultimately wanting to see it again.
See list of Relevant Issues—questions-and-answers.
However, there are some bad apples that have been added to this barrel. In the opening song, Barnum’s show is referred to as “everything you ever want, everything you ever need,” which essentially elevates the circus in place of God. That song even uses a metaphor of religious devotion to explain the feeling of attending the show.
The other thing that bothered me was the presentation of the “freaks” vs. average people, with the latter being almost universally “narrow-minded,” unfeeling, racist, and attired in drab clothing to match their attitudes, (“like a zombie in a maze/You’re asleep inside”). Normality is portrayed as boring and meaningless. Of course, the circus folk are a riot of colorful clothing and virtue—self-sacrifice, bravery, love, laughter. They have embraced the lyrics of Barnum’s childhood tune (“we can live in a world that we design”) and added their own (“I make no apologies/This is me”) as they step out from the recesses of society onto the stage.
With the gender confusion and other lauded sins of radical self-expression in our culture, it’s easy to see how this is essentially a bait-and-switch to get audiences to accept a poisonous, anti-Biblical idea about individuals and a redefinition of tolerance. Caught up in the narrative, we cheer for the interracial romance, the neglected and spit-upon coming into their own…but I couldn’t shake the feeling that we were being asked to mindlessly agree that genetic defects or skin color are identical to gender identity or sexual orientation. A defiant song by the Bearded Lady sums it up, “I know that there’s a place for us/For we are glorious.” For all intents and purposes, this could be Lady Gaga’s “Born This Way.” And it’s all wrapped up in a beautiful, semi-historical, PG-rated package, with just enough sparkle to make you think it’s okay.PLEASE share your observations and insights to be posted here.
My Ratings: Moral rating: Better than Average / Moviemaking quality: 5