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Today’s Prayer Focus

September 5

also known as “5 września,” “5 сентября,” “O Atentado de 5 de Setembro,” “September 5 - The Day Terror Went Live,” “Septiembre 5,” “Setembro 5,” “Szeptember 5.,” “П'яте вересня,” “セプテンバー5”
MPA Rating: R-Rating for language.
Moral Rating:
Moviemaking Quality:
Primary Audience: Adults
Genre: History Thriller
Length: 1 hr. 35 min.
Year of Release: 2024
USA Release: August 31, 2024 (festival)
January 17, 2025 (limited release—121 theaters)
DVD: February 18, 2025
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Relevant Issues
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Setting: Munich 1972 Summer Olympics in Germany

Based on real people and a true story

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Terrorism hostage crisis

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Israeli athletes taken hostage by the Palestinian militant organisation Black September (terrorists)

About MURDER

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Broadcasters’ worldwide live coverage

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The event that forever changed media coverage and continues to impact live news today

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Ultimatum, negotiations and rescue efforts

King Hussein of Jordan was the only leader of an Arab country to denounce the attack publicly, calling it a “savage crime against civilization… perpetrated by sick minds.”

The U.S. President was Richard Nixon.

Featuring Peter SarsgaardRoone Arledge
John MagaroGeoffrey Mason
Ben ChaplinMarvin Bader
Leonie BeneschMarianne Gebhardt
Zinedine SoualemJacques Lesgards
Benjamin WalkerPeter Jennings, ABC Network
Daniel BettsDirector Swim Race
Corey JohnsonHank Hanson
See all »
Director Tim Fehlbaum
Producer BerghausWöbke Filmproduktion [Germany]
Projected Picture Works
Constantin Film [Germany]
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Distributor
Copyrighted, Paramount Pictures Corporation, a subsidiary of ViacomCBS

Here’s what the distributor says about their film: “SEPTEMBER 5 unveils the decisive moment that forever changed media coverage and continues to impact live news today. Set during the 1972 Munich Summer Olympics, the film follows the ABC Sports broadcasting team who quickly shifted from sports reporting to live coverage of the Israeli athletes taken hostage. Through this lens, September 5 provides an important perspective on the live broadcast seen globally by millions of people at the time.

At the heart of the story is Geoff (John Magaro), a young and ambitious producer striving to prove himself to his boss, the legendary TV executive Roone Arledge (Peter Sarsgaard). Together with German interpreter Marianne (Leonie Benesch) and his mentor Marvin Bader (Ben Chaplin), the story focuses on the intricate details of the high-tech broadcast capabilities of the time, juxtaposed against the many lives at stake and themoral decisions that needed to be made against an impossible ticking clock.”


Viewer CommentsSend your comments
Positive
Positive—“September 5” is probably one of the most underrated dramas of the 2024. The movie follows the ABC Sports news crew in Munich, Germany. Their job is to broadcast the 1972 Olympics. But when some of the crew hears gunshots at 4 in the morning, they eventually realize that the Israeli fencing contestants have been taken in by Palestinian terrorists in a nearby apartment building. Faced with an unprecedented situation, the sports crew drop everything and focus their efforts on broadcasting the hostage situation to the watching world.

Whether or not you know the ending to the true story this film is based on, “September 5” is genuinely very engaging. Any other movie probably would’ve focused on the situation from the police’s or even the Olympic teams” perspectives. But to make it about the news crew offers up a whole unique vantage point for the film to work off of. The whole movie is shot almost entirely indoors at the studio, which not only probably helped save the budget, but also really immersed you in the chaos as the news crew frantically try capture this whole situation live.

Not only that, but it also introduced me and my family to the inner workings of 1972 live television, which was incredibly fascinating. Nowadays, you can take out your camera and point it at someone, and title cards are just a few clicks away on a computer. Back then, you had to capture things on 16mm film reel and develop the film by placing it in water. And for the title cards, you had to place white letters on a black board, capture it, and superimpose it onto the image. There are a lot more processes the film goes into here when it comes to the news crew trying to capture this event and get the updates out on a timely basis. But still, to see all these people working with this (as of now) outdated technology had me glued to my seat.See all »
My Ratings: Moral rating: Average / Moviemaking quality: 4½
David, age 20 (USA)

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Secular Movie Critics
…Nail-Biting Docudrama… absolutely riveting account… tight 94-minute white-knuckle thriller… The acting across the board is superb, with especially Magaro…
Pete Hammond, Deadline Hollywood
…The film works equally well as a thriller and a docudrama. The historically verifiable aspects are accurate and the behind-the-scenes sequences are based on the recollections of the men and women who were there. …one of 2024’s most unlikely thrillers. It’s also one of the best movies to reach screens…
James Berardinelli, ReelViews
…Riveting and relevant… Gripping newsroom thriller… remains suspenseful to the end…
Jordan Mintzer, The Hollywood Reporter
… strong performances… a combination of electricity and dread… illustrates how journalists (and audiences) can be seduced by a thrilling story, until everything goes horribly wrong. …
Tim Grierson, Screen Daily
…finds strength in dark rooms, unlikely protagonists and moral dilemmas… with an ending that manages to deliver a quiet gut punch…
Steve Pond, The Wrap
…It’s a really smart, involving, unassumingly written picture with something of James L Brooks’ “Broadcast News” and I couldn’t help think that maybe this is the film that Steven Spielberg could have made rather than “Munich”…
Peter Bradshaw, The Guardian (UK)
…ruthlessly faithful to the facts, interweaving acres of real, contemporaneous television footage with this modern-day reconstruction, so that his actors are interacting with actual images from the era…
Bilge Ebiri, Vulture (New York Magazine)
…consistently absorbing version of what the media did right and what it did wrong…
Michael Phillips, Chicago Tribune